Features
Barf Bags and Banana Stickers: Collecting Rubbish as a Subversive Act
Swan Song: On Lana Del Rey, Los Angeles, and The End of the World
Pro-Palestine Protests Through the Lens of Audre Lorde’s ‘The Uses of Anger’
Guillotine Them All: The Violence & Context of Internet Slang
Autofiction and Emotional Capitalism: The Tortured Poets Department and I Love Dick
Morgan Parker on Past Selves, Moving Home, and Teen Movie Cliches
Don’t Call It a Comeback: Notes on the Lohanaissance
Gunter, Whimsigoth and How Portraying Historical Witches as Empowered May Be Harmful
Love Bite: The Endless Joy of Cocktail Season
Ctrl+Shift Feminism: On Cyberfemme Folklore & TikTok’s Rebrand of Late Capitalism
How the Pervasiveness of Surveillance is Reflected in Art, Our Society and Ourselves
Narcissus Online: The Echo-Chamber of Endless Reflection
Beauty Archivist: From Barbarella to Klute, How Hair Liberated Jane Fonda
Fags, Slags, and Ladettes: Classed Femininity in the Art of Sarah Lucas
Film Fatale: Celluloid Sisters, Theological Final Girls and the Year of the Nun
Detailing Yuko Tatsushima’s Canvas: The Artist Behind the Inspiration for the Internet’s Scariest Creepypastas
Intimacy Through The Looking Glass: How the Internet Changed Our Experience of Relationships
‘Unaesthetic, Unsexy Products’ Could Be the Final Straw of Late-Stage Capitalism
Dreamgirl Chapter 4: “I don’t think she remotely feels she’s done all the things she wants to do.”
