Features
Film Fatale: Longlegs was Made For the Women of America
Film Fatale: Where Are All the Clown Girl Films?
Film Fatale: Dinner in America, Weird Girl Representation and Loser-Core
Film Fatale: Threads (1984) and the Kitchen Sink Apocalypse
Film Fatale: Shelley Duvall and Her Career Defining Roles
Film Fatale: Solaris, World on a Wire, and the Allure of Vintage Science Fiction
Film Fatale: Small Towns, Stephen King and Cinematic Grief
Film Fatale: Celluloid Sisters, Theological Final Girls and the Year of the Nun
Film Fatale: The Match Factory Girl, Fallen Leaves, and How Aki Kaurismäki Values the Bleakness
Film Fatale: The Piano Teacher and the Femcel Community
Film Fatale: Morgiana and the Scheming Woman
Film Fatale: May December, Female Orientated Cinema and How Todd Haynes is Keeping the Melodrama Alive
Film Fatale: In Defence of Misery’s Annie Wilkes
Film Fatale: Why Possession Will Always Be Relevant
Film Fatale: House of the Devil, Haunted Homes and Liminal Spaces
The Wicker Man, Home County Horror and the Desire to Go Back Into the Woods
Film Fatale: Prozac Nation, Girl, Interrupted and the Sad Girl Legacy
Film Fatale: Did Funny Ha Ha Invent Normcore?
Film Fatale: Girlfriends and On Screen Female Friendship
