Features
Avantika on Mean Girls, Playing a Brown Bimbo and Her Decade on Celluloid
Quen Blackwell Will Always be Famous: the Vine Comedian on Absurdity, Acting and Having a Laugh
Empress Of is Entering Her SexyPop Era
Community and Catharsis: Meme Page Admins on the Comfort of Making Content
Sleater-Kinney on ‘Little Rope’, London Fans and Letting the Music Do the Talking
Akini Jing is the Cyborg Musician Combining Techno with Chinese Orchestra
In Poor Things, Holly Waddington’s Costume Designs Signal Sexual Liberation
Charlotte Lawrence on Nepotism, Songwriting and Turning a Passion into a Job
Love, Longing and Communion: Weyes Blood’s Year of Radical Acceptance
Peach PRC on Overnight Fame, Confessional Songwriting and Coming Out on TikTok
Becoming Gena Marvin: Queendom is Navigating Leaving Behind Russia’s Illegal Drag Scene
Liana Liberato on True Crime, Scream VI and ‘Based on a True Story’
Merry Lamb Lamb on Vulnerability in Music, Exodus and Utopian Visuals
Hackney’s Finest: Eliza Rose, Jeanie Crystal, and Rhiannon Barry are the Creative Team Prioritising Working Class Visibility
Trisha Paytas on OnlyFans, Free Will and Her ‘Mother’ Era
TISSUE PAPERS is the Anthology Spotlighting the Fun, Contradictory Side of the Trans Experience
Super Libra Energy: Revenge Wife On Unexpected Inspirations And The State Of The Music Industry
Love Underground is Reclaiming the Tube for LGBTQ People
“I'm not frothing at the mouth, desperately horny for The Telegraph to review the book” - Alison Rumfitt on Brainwyrms, Institutionalised Transphobia and Internet Communities
