Features
Film Fatale: In Defence of Misery’s Annie Wilkes
We Ride at (Breaking) Dawn: Why are Vampires Back on Trend?
Art Rookie: Abject Women, Feminine Beauty and the Art of Elena Garrigolas
Angst is For the Girls: Exploring How Existentialism Shapes the Adolescence of Women
The Martini is Back: How the Cocktail is Reflective of the Quiet Luxury Trend
Fetishisation, Fallacies, and Unattainable Fantasies: The World is Failing Female Addicts
Dressing Dykes: Exploring The Lesbian Cowboy Aesthetic
(Re)Consider the Cowboy: An Assessment of a Cultural Icon
Culture Slut: How the Films We Obsess Over as Teenagers Shape Us
What is the Place of Influencers and Content Creators in the Art World?
Eating the Erotic: Why the Cherry Motif Has Endured in Pop Culture
Subversive Secretaries and Corporate Fairy Tales: Exploring the Resilient Assistant Trope In Cinema
Is Pop Music Commodifying Vulnerability?
Self Destruction Through Self Improvement: The Inherent Body Horror of Skincare
Postfeminism That Isn't Pink: “Lost In Translation” Twenty Years On
“If He Dies He Dies”: A Timeline of Fat Sexuality in Contemporary Television
AI Celebrity Chatbots And The Commodification Of The Self
The Paradoxes of Children’s Gothic Cinema
Beauty Archivist: The “Sexy, Happy Girls Next Door” of Betsey Johnson’s Spring Summer 2001 Show
